Erwin Wurm One Minute Sculptures

Erwin Wurm One Minute Sculptures. Erwin Wurm One Minute Sculptures (1997) Erwin wurm, Performance art, Sculptures The One Minute Sculptures first came about in the 1980s, when the artist had the realisation that a person can be a sculpture One Minute Sculptures involves models posing with day-to-day items but in bizarre and unnatural ways

The resulting images are violent or pornographic, or in any off-putting manner, and are typically beyond the paradigm of the actual uses of the objects. These inclusive and interactive works act simultaneously as off-the-cuff quips and radical reconsiderations of the major questions key to both sculpture and art viewing: how figures relate to their ground.

Erwin Wurm’s One Minute Sculptures are refreshing

The sculptures are created spontaneously without much thought going into them 'One Minute Sculptures', Erwin Wurm, 1997 'One Minute Sculptures', Erwin Wurm, 1997 Presented as a significant set of photographs that embody this overall (and retrospective) concept of ephemeral sculpture, initiated in the late 1980s and also including drawings (instructions) and videos

Erwin Wurm One Minute Sculpture The artist begging for mercy, 2002 Erwin wurm, Erwin, Old. In the process, the boundary between subject and object is blurred Presented as a significant set of photographs that embody this overall (and retrospective) concept of ephemeral sculpture, initiated in the late 1980s and also including drawings (instructions) and videos

Erwin Wurm’s One Minute Sculptures are refreshing. The resulting images are violent or pornographic, or in any off-putting manner, and are typically beyond the paradigm of the actual uses of the objects. The One Minute Sculptures (1997-2017) was published in conjunction with the 57th Venice Biennale